{"id":401,"date":"2016-05-28T15:00:53","date_gmt":"2016-05-28T13:00:53","guid":{"rendered":"http:\/\/claudiadoderer.com\/2016\/en\/werkverzeichnis\/"},"modified":"2017-07-03T14:24:24","modified_gmt":"2017-07-03T12:24:24","slug":"werkverzeichnis","status":"publish","type":"page","link":"https:\/\/claudiadoderer.com\/en\/werkverzeichnis\/","title":{"rendered":"Catalogue of Works"},"content":{"rendered":"<p>[vc_row][vc_column reveal_effect=&#8221;&#8221; offset=&#8221;vc_col-lg-6&#8243;][vc_column_text]<\/p>\n<h3>Catalogue of Works<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column reveal_effect=&#8221;&#8221; offset=&#8221;vc_col-lg-6&#8243;][vc_tta_accordion style=&#8221;flat&#8221; shape=&#8221;square&#8221; spacing=&#8221;5&#8243; active_section=&#8221;5&#8243; collapsible_all=&#8221;true&#8221; el_class=&#8221;werkverzeichnis&#8221;][vc_tta_section title=&#8221;SPACES FOR MUSIC&#8221; tab_id=&#8221;1458220932025-9f72dbcd-abf3&#8243;][vc_column_text]<strong>2016<\/strong><\/p>\n<p><em>Pacific Bodies<\/em> \u2013 Performative installations<br \/>\nBrendan Dougherty \u2013 electronics<br \/>\nThea &amp; Annie G\u00e5rlid \u2013 voice and electronics<br \/>\nNeele H\u00fclcker &amp; Stella Veloce \u2013 ASMR-objects, voice and electronics<br \/>\nMartin Hiendl &amp; Claudia Doderer \u2013 piano, voice, electronics and staging<\/p>\n<p>Flutgraben, Berlin<br \/>\nOpening: June 19, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2015<\/strong><\/p>\n<p><em>das brot des todes und das brot des lebens.<\/em> \u2013 Sound space composition<br \/>\nKlaus Lang<br \/>\n<em>Persephassa<\/em> \u2013 for six percussionists<br \/>\nIannis Xenakis<\/p>\n<p>Osterfestival Imago Dei, Klangraum Krems<br \/>\nMusic: Klaus Lang, Iannis Xenakis<br \/>\nSpace and light: Claudia Doderer<br \/>\nwith Les Percussions de Strasbourg and Ensemble Arcantus<br \/>\nPremiere: April 2, 2015, Minoritenkirche, Krems<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2013<\/strong><\/p>\n<p><em>Das Spiel von Seele und K\u00f6rper<br \/>\n<\/em><em>Rappresentatione di Anima e di Corpo<br \/>\n<\/em>Emilio de\u2019 Cavalieri<br \/>\nPremiere of the version with musical additions by Klaus Lang<\/p>\n<p>Oper Frankfurt<br \/>\nMusical Director: Michael Form<br \/>\nDirector: Hendrik M\u00fcller<br \/>\nSpace and costumes: Claudia Doderer<br \/>\nwith Ensemble Barock vokal of Hochschule f\u00fcr Musik Mainz, Orchestre Atlante<br \/>\nand members of Frankfurter Opern- und Museumsorchester<br \/>\nPremiere: June 29, 2013, Oper Frankfurt, Bockenheimer Depot<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2012<\/strong><\/p>\n<p><em>Singing Garden<\/em> \u2013 Concert installation<br \/>\nToshio Hosokawa and Antonio Vivaldi<\/p>\n<p>Internationales Musikfestival Heidelberger Fr\u00fchling, 2012<br \/>\nIdea and concept: Jeremias Schwarzer<br \/>\nSpace and light: Claudia Doderer<br \/>\nDramaturgy: Ilka Seifert<br \/>\nPremiere: March 25, 2012, Stadthalle Heidelberg<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2011<\/strong><\/p>\n<p><em>Piano aus dem Lot<br \/>\n<\/em>Salvatore Sciarrino \/ Tristan Murail \/ Beat Furrer \/ Iannis Xenakis<\/p>\n<p>Wiener Konzerthaus<br \/>\nPiano: Hsin-Huei Huang<br \/>\nSpace and light: Claudia Doderer<br \/>\nPremiere: October 11, 2011<\/p>\n<p><em>\u00a0<\/em><em>\u00a0<\/em><\/p>\n<p><em>Singing Garden<\/em> \u2013 Concert installation<br \/>\nToshio Hosokawa and Antonio Vivaldi<\/p>\n<p>Radialsystem e.V., Berlin<br \/>\nIdea, concept and recorders: Jeremias Schwarzer<br \/>\nSpace and light: Claudia Doderer<br \/>\nwith Akademie f\u00fcr Alte Musik Berlin<br \/>\nPremiere: September 8, 2011, Radialsystem Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><em>ensemble mosaik: Sichtbare Musik \u2013 3. Fandst\u00fccke<br \/>\n<\/em>Luis Antunes Pena \/ Thomas Meadowcroft \/ Malin Bang \/ Sergej Newski \/ Meng-Chia Lin \/ Stefan Prins<\/p>\n<p>Kesselhaus der Kulturbrauerei Berlin<br \/>\nSpace and light: Claudia Doderer<br \/>\nVideo: Dirk Schulz<br \/>\nPremiere: June 8, 2011<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2010<\/strong><\/p>\n<p><em>Mond. Finsternis. Asphalt.<br \/>\n<\/em>Four music theater fragments based on the short story <em>Kesa and Morito<\/em> by Ryunosuke Akutagawa<br \/>\nCompositions by Hanna Eimermacher, Martin Hiendl, Ji Young Kang, Christian Stark<\/p>\n<p>Cooperation with Hochschule f\u00fcr Musik und Darstellende Kunst, Frankfurt am Main<br \/>\nMusical Director: Beat Furrer<br \/>\nSpace concept and costumes: Claudia Doderer<br \/>\nPremiere: October 22, 2010, Bockenheimer Depot, Frankfurt<\/p>\n<p>&nbsp;<\/p>\n<p><em>le selva interior (the jungle within)<br \/>\n<\/em>Chamber opera by Marcelo Toledo<\/p>\n<p>Premiere of the new version<br \/>\nDaad-Portraitkonzert, Radialsystem Berlin<br \/>\nDirector: Manuel Nawri<br \/>\nSpace and light concept: Claudia Doderer<br \/>\nwith Neue Vocalsolisten Stuttgart and Kammerensemble Neue Musik Berlin<br \/>\nPremiere: January 28, 2010, Radialsystem Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2009<\/strong><\/p>\n<p><em>TAMAR<\/em> \u2013 musical installation<br \/>\n<em>GOLDSTAUB<\/em> by Karlheinz Stockhausen, <em>Singet dem Herrn ein neues Lied<\/em> by Johann Sebastian Bach and <em>Tamar<\/em> by Rupert Huber<\/p>\n<p>Ruhrtriennale 2009, Duisburg<br \/>\nDirector: Rupert Huber<br \/>\nSpace, costumes and light: Claudia Doderer<br \/>\nPremiere: September 23, 2009, Gebl\u00e4sehalle, Landschaftspark Duisburg-Nord<\/p>\n<p>&nbsp;<\/p>\n<p><em>Vigilia<\/em> \u2013 for six voices and ensemble<br \/>\nWolfgang Rihm<\/p>\n<p>Chorwerkruhr 43, Palmsonntagkonzert im Essener Dom, Essen<br \/>\nDirector: Rupert Huber<br \/>\nSpace and light: Claudia Doderer<br \/>\nwith Ensemble Modern<br \/>\nPremiere: April 5, 2009<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2008<\/strong><\/p>\n<p><em>Albertine<br \/>\n<\/em>for solo voice and a whispering audience, based on Marcel Proust<br \/>\nby Lucia Ronchetti<\/p>\n<p>MaerzMusik \u2013 Festival f\u00fcr aktuelle Musik<br \/>\nSoprano: Anna Prohaska<br \/>\nSpace and costumes: Claudia Doderer<br \/>\nDramaturgy: Laura Berman<br \/>\nPremiere: March 9, 2008, Roter Salon, Volksb\u00fchne am Rosa-Luxemburg-Platz, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2007<\/strong><em>\u00a0<\/em><\/p>\n<p><em>AHNEN \u2013 Solo f\u00fcr zwei 6 \u2013<\/em>Multimedia performance<br \/>\nA Homage to Hildegard von Bingen<\/p>\n<p>In the framework of <em>improvisation<\/em>, Musik Triennale K\u00f6ln<br \/>\nVoice, video and concept: Maria de Alvear<br \/>\nVoice and concept: Maria Jonas<br \/>\nCostume design: Claudia Doderer<br \/>\nPremiere: May 17, 2007, Museum Schn\u00fctgen<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>fichten.<\/em> \u2013 for grand orchestra and installation<br \/>\nKlaus Lang<\/p>\n<p>MaerzMusik \u2013 Festival f\u00fcr aktuelle Musik<br \/>\nMusic: Klaus Lang<br \/>\nSpace: Claudia Doderer<br \/>\nLight: Anderas Fuchs<br \/>\nwith Rundfunk-Sinfonieorchester Berlin<br \/>\nPremiere: March 16, 2007, Haus der Berliner Festspiele, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><em>Xylocopa violaccea<br \/>\n<\/em>Lucia Ronchetti<\/p>\n<p>Ultraschall Berlin<br \/>\nViola: Barbara Mauer<br \/>\nSpace and light: Claudia Doderer<br \/>\nLight engineering: Lutz Deppe<br \/>\nLive electronic engineering: Reinhold Braig, Experimentalstudio f\u00fcr akustische Kunst e.V.<br \/>\nPremiere: January 19, 2007, Tesla im Podewils\u2019schen Palais, Berlin<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>moon in the moonless sky. (two.) <\/em>\u2013 for four percussionists<br \/>\nKlaus Lang<\/p>\n<p>rainy days 2007, Philharmonie Luxembourg<br \/>\nSpace: Claudia Doderer<br \/>\nLight: Andreas Fuchs<br \/>\nwith United Instruments of Lucilin<br \/>\nPremiere: December 8, 2007<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong><em>2006<\/em><\/strong><\/p>\n<p><em>fichten.<\/em> \u2013 for grand orchestra and installation<br \/>\nKlaus Lang<\/p>\n<p>steirischer herbst, Graz<br \/>\nMusic: Klaus Lang<br \/>\nSpace: Claudia Doderer<br \/>\nLight: Anderas Fuchs<br \/>\nwith Orchester recreation<br \/>\nPremiere: October 5, 2006, Helmut-List-Halle, Graz<\/p>\n<p><em>\u00a0<\/em><em>\u00a0<\/em><\/p>\n<p><strong>2002<\/strong><em>\u00a0<\/em><\/p>\n<p><em>Le Noir de l&#8217;Etoile<br \/>\n<\/em>G\u00e9rard Grisey<\/p>\n<p>Festival <em>Inventionen<\/em>, Berliner K\u00fcnstlerprogramm des DAAD<br \/>\nStage design: Claudia Doderer<br \/>\nwith Les Percussions de Strasbourg<br \/>\nPremiere: February 28, 2002, Parochialkirche, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><em>kirschbl\u00fcten.ohr<\/em>. \u2013 Music theater for 4 percussionists<br \/>\nKlaus Lang<\/p>\n<p>MaerzMusik \u2013 Festival f\u00fcr aktuelle Musik<br \/>\nConcept: Klaus Lang, Claudia Doderer<br \/>\nMusic: Klaus Lang<br \/>\nSpace: Claudia Doderer<br \/>\nLight: Anderas Fuchs<br \/>\nwith Studio Percussion Graz<br \/>\nPremiere: March 7, 2002, Hebbel-Theater Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2000<\/strong><\/p>\n<p><em>Nerz und Campari<br \/>\n<\/em>Peter Ablinger<br \/>\nIEAOV, Instruments and Electro-Acoustic Site-Specific Compression<br \/>\nConcert installation: 3 days, 3 instrumentalists, 24 pieces<\/p>\n<p>Musikprotokoll im steirischen herbst 2K, Graz<br \/>\nMusic: Peter Ablinger<br \/>\nSpace and light: Claudia Doderer<br \/>\nPremiere: October 13, 2000, Alte Thalia, Graz<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1999<\/strong><\/p>\n<p><em>Nerz und Campari<br \/>\n<\/em>Peter Ablinger<br \/>\nIEAOV, Instruments and Electro-Acoustic Site-Specific Compression<br \/>\nConcert installation: 4 days, 4 instrumentalists, 32 pieces<\/p>\n<p>Podewil, Berlin<br \/>\nMusic: Peter Ablinger<br \/>\nSpace: Claudia Doderer<br \/>\nPremiere: March 4, 1999, Podewil, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1995<\/strong><\/p>\n<p><em>Die weisse Litanei <\/em>\u2013 Scenic version for solo voice and five recorded voices<br \/>\nPeter Ablinger<\/p>\n<p><em>H\u00f6rg\u00e4nge \u2013 Tage der Sakralen Musik<\/em>, Wiener Konzerthaus<br \/>\nMusic: Peter Ablinger<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: March 23, 1995<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1994<\/strong><\/p>\n<p><em>Die weisse Litanei<\/em> \u2013 Mezzodrama for vocals and stage design<br \/>\nPeter Ablinger<\/p>\n<p>Vocals: Christina Ascher<br \/>\nMusic: Peter Ablinger<br \/>\nStage design: Claudia Doderer<br \/>\nPremiere: May 2, 1994, Offenes Kulturhaus, Linz<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u201e&#8230;\u00dcber Ursache and Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel &#8230;\u201c<br \/>\n<\/em>Music drama in one act by Sven-\u00c5ke Johansson and Alexander von Schlippenbach<\/p>\n<p>Director: Fritz Rahmann<br \/>\nStage design: Claudia Doderer<br \/>\nLibretto: Sven-\u00c5ke Johansson<br \/>\nPremiere: November 11, 1994, Hebbel-Theater, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1992<\/strong><\/p>\n<p><em>The Dark Side of the Star (Le Noir de l&#8217;Etoile)<br \/>\n<\/em>G\u00e9rard Grisey<\/p>\n<p>Huddersfield Contemporary Music Festival<br \/>\nSpace and light: Claudia Doderer<br \/>\nwith Les Percussions de Strasbourg<br \/>\nPremiere: November 23, 1992, Huddersfield<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1991<\/strong><\/p>\n<p><em>Le Noir de l&#8217;Etoile<br \/>\n<\/em>G\u00e9rard Grisey<\/p>\n<p><em>musica <\/em>\u2013 Festival International des Musiques d&#8217;aujourd&#8217;hui, Strasbourg<br \/>\nSpace and light: Claudia Doderer<br \/>\nLight engineering: Kurt Wogratzke<br \/>\nwith Les Percussions de Strasbourg<br \/>\nPremiere: September 27, 1991, Strasbourg<\/p>\n<p>&nbsp;<\/p>\n<p><em>Le Noir de l&#8217;Etoile<br \/>\n<\/em>G\u00e9rard Grisey<\/p>\n<p>ARS MUSICA 91, Br\u00fcssel<br \/>\nSpace and light: Claudia Doderer<br \/>\nCommissioned by Percussions de Strasbourg<br \/>\nPremiere: March 16, 1991, Halle de Schaerbeek, Br\u00fcssel<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1986<\/strong><\/p>\n<p><em>\u201e&#8230;\u00dcber Ursache and Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel &#8230;\u201c<br \/>\n<\/em>Music drama in one act by Sven-\u00c5ke Johansson and Alexander von Schlippenbach<\/p>\n<p>Concept and stage design: Claudia Doderer<br \/>\nLibretto: Sven-\u00c5ke Johansson<br \/>\nPremiere: November 8, 1986, Stuttgarter Staatsoper[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;PRODUCTIONS&#8221; tab_id=&#8221;1458220932084-bcefa637-a99c&#8221;][vc_column_text]<strong>2010<\/strong><em>\u00a0<\/em><\/p>\n<p><em>BUCH ASCHE.<br \/>\n<\/em>by Claudia Doderer \/ H\u00e4ndl Klaus \/ Klaus Lang<\/p>\n<p>Theater Bonn<br \/>\nMusical study and concept: Klaus Lang<br \/>\nConcept, production: Claudia Doderer, Klaus Lang<br \/>\nLibretto: H\u00e4ndl\u00a0Klaus<br \/>\nSpace, costumes, light: Claudia Doderer<br \/>\nPremiere: June 6, 2010<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2008<\/strong><\/p>\n<p><em>Das j\u00fcngste Gericht \u2013 Wacht! Euch zum Streit gefasset macht<br \/>\n<\/em>Oratorium in the form of a church opera<br \/>\nby Dieterich Buxtehude<\/p>\n<p>Kultursommer Rheinland-Pfalz<br \/>\nProduction, costumes, and stage sculptures: Claudia Doderer<br \/>\nMusical Director: Roland Li\u00dfmann<br \/>\nwith Barockorchester L&#8217;arpa festante<br \/>\nPerformances:<br \/>\nAugust 4, 2008, Abteikirche Offenbach-Handheim<br \/>\nAugust 9, 2008, St. Walburga Idar-Oberstein<br \/>\nAugust 10, 2008, Stiftskirche St. Goar<br \/>\nAugust 22, 2008, Abteikirche Otterberg<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>architektur des regens.<br \/>\n<\/em>Opera by Klaus Lang based on a text by Motokiyo Zeami<\/p>\n<p>Composition commissioned by Landeshauptstadt M\u00fcnchen for 11. M\u00fcnchner Biennale<br \/>\nIdea: Klaus Lang and Claudia Doderer<br \/>\nMusical Director: Mark Rohde<br \/>\nProduction, stage design, and costumes: Claudia Doderer<br \/>\nPremiere: April 18, 2008, Gasteig, Carl-Orff-Saal, M\u00fcnchen<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2007<\/strong><\/p>\n<p><em>Saul<br \/>\n<\/em>Sacred drama in three acts (HWV 53)<br \/>\nby Georg Friedrich H\u00e4ndel,<\/p>\n<p>St. Egidien, N\u00fcrnberg<br \/>\nMusical Director: Pia Praetorius<br \/>\nDirector, stage design, light, costumes: Claudia Doderer<br \/>\nwith Barockorchester L&#8217;arpa festante<br \/>\nPremiere: September 22, 2007<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2006<\/strong><\/p>\n<p><em>Undine<br \/>\n<\/em>Romantic magical opera in four acts based on the eponymous story by Friedrich de la Motte Fouqu\u00e9, freely adapted and set to music by Albert Lortzing<\/p>\n<p>New production Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nMusical Director: Andreas Kowalewitz<br \/>\nProduction, stage design, and costumes: Claudia Doderer<br \/>\nChoreography: Philip Taylor<br \/>\nDramaturgy: Ilka Seifert<br \/>\nwith ensemble, choir und orchestra of Staatstheaters am G\u00e4rtnerplatz<br \/>\nPremiere: December 17, 2006<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2003<\/strong><\/p>\n<p><em>Idomeneo \u2013 K\u00f6nig by Kreta<br \/>\n<\/em>Dramma per musica in three acts, libretto by Giambattista Varesco<br \/>\nWolfgang Amadeus Mozart<\/p>\n<p>Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nMusical Director: Ekkehard Klemm<br \/>\nProduction, stage design, and costumes: Claudia Doderer<br \/>\nwith ensemble, choir und orchestra of Staatstheater am G\u00e4rtnerplatz<br \/>\nPremiere: December 21, 2003<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2001<\/strong><\/p>\n<p><em>Orpheus<br \/>\n<\/em><em>L&#8217;Orfeo<\/em> \u2013 Favola in musica di Claudio Monteverdi (1607)<br \/>\nfreely adapted by (1923\/39) by Carl Orff<br \/>\nText by Dorothee G\u00fcnther \/ Carl Orff<\/p>\n<p>Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nMusical Director: Ekkehard Klemm<br \/>\nSpace concept and costumes: Claudia Doderer<br \/>\nChoir rehearsal: Hans-Joachim Willrich<br \/>\nLight: Wieland M\u00fcller-Haslinger<br \/>\nwith orchestra and choir of Staatstheater am G\u00e4rtnerplatz<br \/>\nPremiere: July 13, 2001[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;STAGE DESIGN \/ COSTUMES&#8221; tab_id=&#8221;1458221596710-3d179b4b-4d08&#8243;][vc_column_text]<strong>Opera<\/strong><\/p>\n<p><strong>2016<\/strong><\/p>\n<p><em>The Producers<br \/>\n<\/em>Musical by Mel Brooks<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusical direction: Alistair Lilley, Israel Gursky, Satomi Nishi, Levente T\u00f6r\u00f6k<br \/>\nProduction: Dominik Wilgenbus<br \/>\nChoreography: Yuki Mori, Tam\u00e1s Mester<br \/>\nStage: Peter Engel<br \/>\nCostumes: Claudia Doderer<br \/>\nDramaturgy: Christina Schmidt<br \/>\nPremiere: December 10, 2016<br \/>\nResumption: October 3, 2017<\/p>\n<p>&nbsp;<\/p>\n<p><em>Fake &amp; Error <\/em>\u2013 Music theater evening with<br \/>\nLuke Bedford \u2013 <em>Through his Teeth<\/em> (DE)<br \/>\nClaudio Monteverdi \u2013 <em>Il Combattimento<\/em> <em>di Tancredi e Clorinda<\/em> (instrumental revised version by Klaus Simon)<\/p>\n<p>Opera Factory Freiburg, E-Werk Freiburg<br \/>\nMusical direction: Klaus Simon<br \/>\nProduction: Hendrik M\u00fcller<br \/>\nStage and costumes: Claudia Doderer<br \/>\nDramaturgy: Cornelius Bauer<br \/>\nPremiere: October 8, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><em>Carmen<br \/>\n<\/em>Opera in four acts by Georges Bizet<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusical direction: Tetsuro Ban<br \/>\nProduction: Hendrik M\u00fcller<br \/>\nStage and costumes: Claudia Doderer<br \/>\nDramaturgy: Ruth Zapf<br \/>\nPremiere: September 24, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><em>Goyescas \/ Gianni Schicchi<br \/>\n<\/em>Opera in one act<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusical Director: Tetsuro Ban<br \/>\nDirector: Bernd Liepold-Messer<br \/>\nStage design: Andrea Cozzi<br \/>\nCostumes: Claudia Doderer<br \/>\nPremiere: Januar 23, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2015<\/strong><\/p>\n<p><em>Jesus Christ Superstar<br \/>\n<\/em>Rock opera by Andrew Lloyd Webber, lyrics by Tim Rice<\/p>\n<p>Velodrom, Regensburg<br \/>\nMusical Director: Alistair Lilley<br \/>\nDirector: Willi Welp<br \/>\nStage\u00a0design\u00a0and costumes: Claudia Doderer<br \/>\nPremiere: March 14, 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2014<\/strong><\/p>\n<p><em>Der Vogelh\u00e4ndler<br \/>\n<\/em>Operetta in three acts by Carl Zeller<br \/>\nText by Moritz West and Ludwig Held, based on Edmond Desnoyers de Bi\u00e9ville<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusical Director: Tom Woods<br \/>\nDirector: Dominik Wilgenbus<br \/>\nDramaturgy: Peter Engel<br \/>\nCostumes: Claudia Doderer<br \/>\nPremiere: December 6, 2014<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2013<\/strong><\/p>\n<p><em>The Rake&#8217;s Progress (Der W\u00fcstling)<br \/>\n<\/em>Opera in three acts<br \/>\nby Igor Strawinsky, liberetto by Wystan Hugh Auden and Chester Simon Kallman based on William Hogarths eponymous picture cycle<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusical Director: Tetsuro Ban<br \/>\nDirector: Elias Perrig<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: September 21, 2013<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2012<\/strong><\/p>\n<p><em>Der neue Orpheus \u2013 <\/em>Cantata Op. 16<br \/>\n<em>Orpheus and Eurydike \u2013 <\/em>Opera in three acts<br \/>\nKurt Weil \/ Christoph Willibald Gluck<\/p>\n<p>Theater Regensburg, Regensburg<br \/>\nDirector: Peter Land<br \/>\nMusical Director: Tetsuro Ban<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nDramaturgy: Christina Schmidt<br \/>\nPremiere: September 22, 2012<\/p>\n<p>&nbsp;<\/p>\n<p><em>Alessandro<br \/>\n<\/em>Georg Friedrich H\u00e4ndel<\/p>\n<p>H\u00e4ndel Festspiele 2012, Staattstheater Karlsruhe<br \/>\nMusical Director: Michael Form<br \/>\nDirector: Alexander Fahima<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nDramaturgy: Bernd Feuchtner<br \/>\nPremiere: February 17, 2012<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2011<\/strong><\/p>\n<p><em>der einfluss des menschen auf den mond<\/em> \u2013 Chamber opera in 10 phases<br \/>\nKlaus Lang and Klaus H\u00e4ndl<\/p>\n<p>Staatstheater Braunschweig<br \/>\nMusical Director: Sebastian Beckedorf<br \/>\nDirector: Paul Esterhazy<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nDramaturgy: Jens Neandorff von Enzberg<br \/>\nPremiere: March 26, 2011<\/p>\n<p>&nbsp;<\/p>\n<p><em>The Io Passion <\/em>\u2013 A Chamber Opera, Libretto by Stephen Plaice<br \/>\nHarrison Birtwistle<\/p>\n<p>Wiener Kammeroper<br \/>\nMusical Director: Daniel Hoyem-Cavazza<br \/>\nDirector: Nicola Raab<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: February 10, 2011<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2010<\/strong><\/p>\n<p><em>Der Rosenkavalier<\/em> \u2013 Comic opera in three acts<br \/>\nby Richard Strauss<\/p>\n<p>Staatstheater Darmstadt<br \/>\nMusical Director: Constantin Trinks<br \/>\nDirector: Peter Land<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: March 13, 2010<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2009<\/strong><\/p>\n<p><em>Tito Manlio<br \/>\n<\/em>Dramma per musica in 3 acts<br \/>\nby Antonio Vivaldi, libretto Matteo Noris<\/p>\n<p><em>Winter in Schwetzingen<\/em> \u2013 Rokokotheater des Schlosses, Schwetzingen, Theater und Philharmonisches Orchester der Stadt Heidelberg<br \/>\nMusical Director: Michael Form<br \/>\nDirector: Hendrik M\u00fcller<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: December 14, 2009, Rokokotheater Schwetzingen<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2008<\/strong><\/p>\n<p><em>Agrippina<br \/>\n<\/em>Opera seria in three acts<br \/>\nby Georg Friedrich H\u00e4ndel<\/p>\n<p>Saarl\u00e4ndisches Staatstheater, Saarbr\u00fccken<br \/>\nMusical Director: Konrad Jungh\u00e4nel<br \/>\nDirector: Peter Land<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: February 24, 2008<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2007<\/strong><\/p>\n<p><em>Il Pianto d&#8217;Orfeo<\/em> \u2013 Die Tr\u00e4nen des Orfeo<\/p>\n<p>Radialsystem Berlin<br \/>\nDirector, dramaturgy, video, tenor: Kobie van Rensburg<br \/>\nSpace, costumes and light: Claudia Doderer<br \/>\nPremiere: September 6, 2007<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2006<\/strong><\/p>\n<p><em>Ariodante<br \/>\n<\/em>Opera seria in three acts<br \/>\nGeorg Friedrich H\u00e4ndel<\/p>\n<p>Gran Teatre del Liceu, Barcelona<br \/>\nMusical Director: Harry Bicket<br \/>\nScenography: Achim Freyer, Friedrike Rinne-Wolf<br \/>\nStage design: Achim Freyer, Claudia Doderer<br \/>\nLight: Achim Freyer<br \/>\nPremiere: May 15, 2006<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2003<\/strong><\/p>\n<p><em>Der fliegende Holl\u00e4nde<\/em>r<br \/>\nRomantic opera in three acts<br \/>\nby Richard Wagner<\/p>\n<p>Opernhaus Halle<br \/>\nMusical Director: Roger Epple<br \/>\nDirector: Joachim Rathke<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: October 31, 2003<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2002<\/strong><\/p>\n<p><em>Paganini<br \/>\n<\/em>Operetta in three acts<br \/>\nby Franz Leh\u00e1r<\/p>\n<p>Staatsoperette Dresden<br \/>\nMusical Director: Christian Garbosnik<br \/>\nDirector: J\u00fcrgen P\u00f6ckel<br \/>\nStage design: Claudia Doderer<br \/>\nCostumes: Ulrike Barbara Radichevich<br \/>\nChoreography: Alexandre Tourinho<br \/>\nChoir: Siegfried Fischer<br \/>\nDramaturgy: Wolfgang Dosch<br \/>\nPremiere: January 25, 2002<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2001<\/strong><\/p>\n<p><em>Aschenputtel<br \/>\n<\/em>Opera seria in two acts<br \/>\nby Gioachino Rossini<\/p>\n<p>Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nMusical Director: Constantinos Carydis<br \/>\nDirector: Chris Alexander<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nDramaturgy: Konrad Kuhn<br \/>\nPremiere: March 25, 2001<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2000<\/strong><\/p>\n<p><em>Rasputin<br \/>\n<\/em>Opera musical<br \/>\nby Hartmut H. Forche and Volker M. Plangg<\/p>\n<p>Staatsoperette Dresden<br \/>\nMusical Director: Volker M. Plangg<br \/>\nDirector: Herbert Olschok<br \/>\nStage design: Claudia Doderer<br \/>\nCostumes: Claudia R\u00fchle<br \/>\nDramaturgy: Juliane Piontek<br \/>\nPremiere: May 5, 2000<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1999<\/strong><\/p>\n<p><em>H\u00e4nsel and Gretel<br \/>\n<\/em>Fairytale opera in three images<br \/>\nby Engelbert Humperdinck<\/p>\n<p>Tiroler Landestheater, Innsbruck<br \/>\nMusical Director: Patrick Furrer \/ Claudio B\u00fcchler<br \/>\nDirector: Peter Land<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nDramaturgy: Katharina Tarj\u00e1n<br \/>\nPremiere: November 27, 1999<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Alice<br \/>\n<\/em>Chamber opera based on Lewis Carrolls <em>Alice im Wonderland<br \/>\n<\/em>by Hanno Siepmann and Holger Siemann<\/p>\n<p>Neuk\u00f6llner Oper, Berlin<br \/>\nDirector: Peter Land<br \/>\nMusical Director: Hans-Peter Kirchberg<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: February 25, 1999<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1998<\/strong><\/p>\n<p><em>Rigoletto<br \/>\n<\/em>Opera in three acts<br \/>\nby Guiseppe Verdi<\/p>\n<p>Theater Chemnitz<br \/>\nMusical Director: Oleg Caetani<br \/>\nDirector: Brigitte Fassb\u00e4nder<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nDramaturgy: Volkmar Leimert<br \/>\nPremiere: May 2, 1998<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1997<\/strong><\/p>\n<p><em>Melusine<br \/>\n<\/em>Opera by Aribert Reimann<\/p>\n<p>Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nMusical Director: Reinhard Schwarz<br \/>\nDirector: Alexander Paeffgen<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: October 19, 1997<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1996<\/strong><\/p>\n<p><em>Susannah<br \/>\n<\/em>Carlisle Floyd<\/p>\n<p>Kammeroper Wien<br \/>\nDirector: Brigitte Fassbaender<br \/>\nMusical Director: Christian Arming<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: October 14, 1996<\/p>\n<p>&nbsp;<\/p>\n<p><em>Cos\u00ed fan tutte<br \/>\n<\/em>Wolfgang Amadeus Mozart<\/p>\n<p>Staatstheater Braunschweig<br \/>\nMusical Director: Fabrizio Ventura<br \/>\nDirector: Peter Land<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nwith Chor des Staatstheaters Braunschweig<br \/>\nPremiere: February 3, 1996<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1995<\/strong><\/p>\n<p><em>Wozzeck<br \/>\n<\/em>Alban Berg<br \/>\nOpera in three acts based on the play fragment <em>Woyzeck<\/em> by Georg B\u00fcchner<\/p>\n<p>Opera de la Monnaie, Br\u00fcssel<br \/>\nMusical Director: Lother Zagrosek<br \/>\nDirector: Hans Neugebauer<br \/>\nRehearsals: Tine Buyse<br \/>\nStage design and costumes: Achim Freyer<br \/>\nChoir Director: Merion Powell<br \/>\nRealization of stage design and costumes: Claudia Doderer<br \/>\nPremiere: March 19, 1995<\/p>\n<p>&nbsp;<\/p>\n<p><em>La Finta Giardiniera (Die G\u00e4rtnerin aus Liebe)<br \/>\n<\/em>Wolfgang Amadeus Mozart<\/p>\n<p>Staatstheater Braunschweig<br \/>\nMusical Director: Jari H\u00e4m\u00e4l\u00e4inen<br \/>\nDirector: Peter Land<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: April 17, 1995<\/p>\n<p>&nbsp;<\/p>\n<p><em>Il Withridate Europatore<br \/>\n<\/em>Tragedia per musica in five acts by Girolamo Graf Frigimelica Roberti<br \/>\nAlessandro Scarlatti<\/p>\n<p>Innsbrucker Festwochen der alten Musik and Schwetzinger Festspiele<br \/>\nMusical Director: Thomas Hengelbrock<br \/>\nDirector: Brian Michaels<br \/>\nStage desing and costumes: Claudia Doderer<br \/>\nPremiere: August 14, 1995, Tiroler Landestheater, Innsbruck<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1994<\/strong><\/p>\n<p><em>H\u00e4nsel and Gretel<br \/>\n<\/em>Engelbert Humperdinck<\/p>\n<p>Stadttheater Luzern<br \/>\nDirector: Philip Himmelmann<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: November 25, 1994<\/p>\n<p>&nbsp;<\/p>\n<p><em>Die sch\u00f6ne Galathee \u2013 Zehn M\u00e4dchen and kein Mann<br \/>\n<\/em>Franz by Supp\u00e9<br \/>\nOriginal versions, based on the handwritten manuscripts reconstructed by Martin Lichtfuss<\/p>\n<p>Staatstheater Braunschweig<br \/>\nMusical Director: Martin Light:fuss<br \/>\nDirector: Peter Land<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nwith Chor des Staatstheaters Braunschweig<br \/>\nPremiere: February 12, 1994<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1993<\/strong><\/p>\n<p><em>Cosi fan Tutte<br \/>\n<\/em>Wolfgang Amadeus Mozart<\/p>\n<p>Landestheater Linz<br \/>\nDirector: Philip Himmelmann<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: January 14, 1993<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1992<\/strong><\/p>\n<p><em>Der Freisch\u00fctz<br \/>\n<\/em>Carl Maria von Weber<\/p>\n<p>Landestheater Eisenach<br \/>\nMusical Director: MD Gunter M\u00fcller<br \/>\nDirector: Stephanie Koch<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: April 26, 1992<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1991<\/strong><\/p>\n<p><em>Orpheus and Eurydike<br \/>\n<\/em>Christoph Willibald Gluck<\/p>\n<p>Stadttheater Aachen<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: February 6, 1991<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1986<\/strong><\/p>\n<p><em>Die Hochzeit des Figaro<br \/>\n<\/em>Wolfgang Amadeus Mozart<\/p>\n<p>Den Norske Opera, Oslo<br \/>\nDirector: Willi Decker<br \/>\nStage\u00a0design and costumes: Claudia Doderer based on a design by Achim Freyer<br \/>\nPremiere: January 1986<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1984<\/strong><\/p>\n<p><em>Die Hochzeit des Figaro<br \/>\n<\/em>Wolfgang Amadeus Mozart<\/p>\n<p>Opera de la Monnaie, Br\u00fcssel<br \/>\nMusical Director: Sylvain Cambreling<br \/>\nDirector: Willi Decker<br \/>\nStage\u00a0design and costumes: Claudia Doderer based on a design by Achim Freyer<br \/>\nPremiere: May 10, 1984<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1982<\/strong><\/p>\n<p><em>Orpheus and Eurydike<br \/>\n<\/em>Christoph Willibald Gluck<\/p>\n<p>Deutsche Oper Berlin<br \/>\nDirector: Achim Freyer<br \/>\nCostume assistant: Claudia Doderer<br \/>\nPremiere: June 27, 1982<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dance<\/strong><\/p>\n<p><strong>2014<\/strong><em>\u00a0<\/em><\/p>\n<p><em>Intime Briefe \/ Le Sacre du Printemps<br \/>\n<\/em>Dance evening by Yuki Mori<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nChoreography and director: Yuki Mori<br \/>\nStage\u00a0design: Claudia Doderer<br \/>\nCostumes: Thomas Kaiser<br \/>\nMusic: Johann Sebastian Bach and Igor Strawinsky<br \/>\nPremiere: February 14, 2014<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2013<\/strong><\/p>\n<p><em>Ich, Wagner. Sehnsucht!<br \/>\n<\/em>Dance piece by Yuki Mori<\/p>\n<p>Theater am Bismarckplatz, Regensburg<br \/>\nMusic: Richard Wagner, Alexander by Zemlinsky and Ernest Chausson<br \/>\nMusical Director: Philip by Buren<br \/>\nChoreography and director: Yuki Mori<br \/>\nStage\u00a0design: Claudia Doderer<br \/>\nCostumes: Thomas Kaiser<br \/>\nDramaturgy: Christina Schmidt<br \/>\nPremiere: January 26, 2013<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2007<\/strong><\/p>\n<p><em>Vivaldis M\u00e4rchen<br \/>\n<\/em>Antonio Vivaldi<\/p>\n<p>Badisches Staatstheater Karlsruhe<br \/>\nChoreography: Philip Taylor<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: February 3, 2007<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2006<\/strong><\/p>\n<p><em>sacred space<\/em> \u2013 Ballett by Philip Taylor<br \/>\nArvo P\u00e4rt<\/p>\n<p><em>DANCE \u2013 K\u00f6rper Sph\u00e4ren<\/em>, 10. internationales Festival des zeitgen\u00f6ssischen Tanzes der Landeshauptstadt M\u00fcnchen<br \/>\nChoreography: Philip Taylor<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nLight: Wieland M\u00fcller-Haslinger, Philip Taylor<br \/>\nMusical Director: Andreas Kowalewitz<br \/>\nPremiere: November 12, 2006, Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2005<\/strong><\/p>\n<p><em>Strange Waters<br \/>\n<\/em>Graham Fitkin<\/p>\n<p>Badisches Staatstheater Karlsruhe<br \/>\nChoreography: Philip Taylor<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nLight: Philip Taylor, Stefan Woinke<br \/>\nPremiere: April 2, 2005<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2003<\/strong><\/p>\n<p><em>Frag den Tanz<\/em> \u2013 Ballet by Philip Taylor<br \/>\nJohann Jacob Froberger \/ Elena Kats-Chernin \/ John Cage \/ Graham Fitkin \/ John Adams<\/p>\n<p>Staatstheater am G\u00e4rtnerplatz, M\u00fcnchen<br \/>\nChoreography: Philip Taylor<br \/>\nStage design: Claudia Doderer, Philip Taylor<br \/>\nCostumes: Claudia Doderer<br \/>\nLight: Wieland M\u00fcller-Haslinger, Claudia Doderer, Philip Taylor<br \/>\nPremiere: April 13, 2003<\/p>\n<p>&nbsp;<\/p>\n<p><em>4 \u2013 Ein Tanz-Event<br \/>\n<\/em>Music and idea Johannes Faber<\/p>\n<p>Balletttheater M\u00fcnchen \/ Staatstheater am G\u00e4rtnerplatz<br \/>\nDirector and choreography: Philip Taylor<br \/>\nMusical Director: Andreas Kowalewitz<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nPremiere: November 16, 2003<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1997<\/strong><\/p>\n<p><em>Undinischer Winkel<br \/>\n<\/em>John Cage \/ Claude Debussy<\/p>\n<p>Hebbel-Theater Berlin<br \/>\nIdea: Regina Baumgart and Claudia Doderer<br \/>\nChoreography: Regina Baumgart<br \/>\nStage\u00a0design and costumes: Claudia Doderer<br \/>\nLight: Anderas Fuchs<br \/>\nMusical Director: Daniel Seel<br \/>\nPremiere: January 21, 1997<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1988<\/strong><\/p>\n<p><em>Erben der Sch\u00f6pfung<br \/>\n<\/em>Ballet by Leonhardt Delnui and Thorsten M\u00fcller<br \/>\nJoseph Haydn<\/p>\n<p>Stadttheater Aachen<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: April 12, 1988<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Plays<\/strong><\/p>\n<p><strong>2000<\/strong><em>\u00a0<\/em><\/p>\n<p><em>Tartuffe oder Der Betr\u00fcger<br \/>\n<\/em>by Moli\u00e8re<\/p>\n<p>Schauspielhaus Leipzig<br \/>\nDirector: Herbert Olschok<br \/>\nStage design: Claudia Doderer<br \/>\nPremiere: January 22, 2000<\/p>\n<p><em>\u00a0<\/em><em>\u00a0<\/em><\/p>\n<p><strong>1999<\/strong><\/p>\n<p><em>Die Wanze<br \/>\n<\/em>by Wladimir Majakowski, processing by Peter Land<\/p>\n<p>Maxim-Gorki-Theater Berlin<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: September 29, 1999<\/p>\n<p><em>\u00a0<\/em><em>\u00a0<\/em><\/p>\n<p><em>K\u00f6nig Lear<br \/>\n<\/em>by William Shakespeare<\/p>\n<p>Theater Chemnitz<br \/>\nDirector: Herbert Olschok<br \/>\nStage\u00a0design: Claudia Doderer<br \/>\nCostumes: Joachim Herzog<br \/>\nPremiere: January 16, 1999, Schauspielhaus Chemnitz<\/p>\n<p><em>\u00a0<\/em><em>\u00a0<\/em><\/p>\n<p><strong>1991<\/strong><\/p>\n<p><em>Der kleine Prinz<br \/>\n<\/em>by Antoine de Saint-Exup\u00e9ry<\/p>\n<p>Landestheater Eisenach<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: November 16, 1991<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1987<\/strong><\/p>\n<p><em>Das singende springende L\u00f6weneckerchen<br \/>\n<\/em>Barbara Honigmann (after Gebr\u00fcder Grimm)<\/p>\n<p>Stadttheater Aachen<br \/>\nDirector: Klaus Schultz<br \/>\nStage design and costumes: Claudia Doderer<br \/>\nPremiere: November 27, 1987<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1983 \u2013 85<\/strong><\/p>\n<p>Stage design, spaces and costumes for Wuppertaler B\u00fchnen<\/p>\n<p><em>Lebewohl gute Reise<br \/>\n<\/em>Gertrud Leutenegger<br \/>\n1984<\/p>\n<p><em>Heute Abend Lola Blau<br \/>\n<\/em>Georg Kreisler<br \/>\n1983<\/p>\n<p><em>Die Insel<br \/>\n<\/em>Anathol Fogard<br \/>\n1983<\/p>\n<p><em>Gl\u00fcckliche Tage<br \/>\n<\/em>Samuel Beckett<br \/>\n1984<\/p>\n<p><em>Familie Schroffenstein<br \/>\n<\/em>Heinrich von Kleist<br \/>\n1985<\/p>\n<p><em>Schadenfreude<br \/>\n<\/em>Judith Herzberg<br \/>\n1985\/86<\/p>\n<p><em>Der kleine Prinz<br \/>\n<\/em>Antoine de Saint-Exup\u00e9ry<br \/>\n1984\/85[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column reveal_effect=&#8221;&#8221; offset=&#8221;vc_col-lg-6&#8243;][vc_column_text] Catalogue of Works [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column reveal_effect=&#8221;&#8221; offset=&#8221;vc_col-lg-6&#8243;][vc_tta_accordion style=&#8221;flat&#8221; shape=&#8221;square&#8221; spacing=&#8221;5&#8243; active_section=&#8221;5&#8243; collapsible_all=&#8221;true&#8221; el_class=&#8221;werkverzeichnis&#8221;][vc_tta_section title=&#8221;SPACES FOR MUSIC&#8221; tab_id=&#8221;1458220932025-9f72dbcd-abf3&#8243;][vc_column_text]2016 Pacific Bodies \u2013 Performative installations Brendan Dougherty \u2013 electronics Thea &amp; Annie G\u00e5rlid \u2013 voice and electronics Neele H\u00fclcker &amp; Stella Veloce \u2013 ASMR-objects, voice and electronics Martin Hiendl &amp; Claudia Doderer \u2013 piano, voice, electronics&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/pages\/401"}],"collection":[{"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":23,"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/pages\/401\/revisions"}],"predecessor-version":[{"id":1093,"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/pages\/401\/revisions\/1093"}],"wp:attachment":[{"href":"https:\/\/claudiadoderer.com\/en\/wp-json\/wp\/v2\/media?parent=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}